He also has a knack for capturing rainbows. His work has been shortlisted two years running in the national Historic Photographer of the Year competition and his book, Yorkshire – A Different Perspective, is due for publication later this year. David is based in West Yorkshire, mainly shooting local, landscapes with sojourns to Wales and Isle of Wight. The rain adds so much more to a photo,’ admits prolific semi-professional photographer David Oxtaby. ‘I will take a rainy day over a sunny one any day. The overall aesthetic is pastoral and beautiful. Using his Canon EF100-400mm f/4.5-5.6L IS USM lens to compress perspective, he creates a misty effect with saturated colours in the trees nearest to the camera with the middle and far distance as if in a slight fog. Tony’s stark images of seaside piers reflected in rain collected on Nice!boards contrast with his woodland shots. The joy of rain photography is that it can be done anywhere. Tony Worobiec’s atmospheric shot of Swanage Pier. ‘The challenge is to match the location to the weather, rather than pining for a foggy or rainy day or nice blue sky, have locations in mind that work well for each,’ he advises.
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In Tony’s book, Photographing Landscape Whatever the Weather (RHE Media Limited 2018), the emphasis is to show the reader there’s no such thing as bad weather and all offer different opportunities. I have been a fan of rain for quite a while.’ It’s surprising how it transforms otherwise mundane locations. ‘I see rain as a wonderful opportunity for good photography. When a colleague told him they spent two days of a workshop sitting in a hotel room due to bad weather, Tony screamed inside. But with a bit of creativity and lateral thinking, shooting in the rain can be a great chance to take very distinctive shots. Most photographers in the UK will have seen enough rain for a lifetime, and take it for granted. He adds: ‘It takes commitment to get out there and take photographs when it’s pouring down, but if you do you will be rewarded with some wonderful opportunities.’ ‘There’s no such thing as bad weather, merely new challenges, and rain is one of them,’ notes landscape and travel photographer Tony Worobiec. If you curse your luck when it starts to rain and immediately pack away your gear, you need to reset your mental barometer.
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Any photographer serious about their craft must pull on their wellies and brave the downpours.Īn optimistic couple wait for an event to begin at London’s Somerset House. Zwemmer Ltd in 1982) in which Martin uses a waterproof camera to document the British having to confront the weather or determined to do something despite it. Henri Cartier-Bresson’s photograph of Alberto Giacometti in a Parisian torrent, 1961 and Martin Parr’s debut monograph, Bad Weather (Published by A. Actor James Dean walking through the bleak Manhattan rain falling on an empty Times Square photographed by Dennis Stock, 1955. Many famous photographs have been snapped in precipitation: Elliot Erwitt’s leap on a rainy day, taken for the hundredth anniversary of the Eiffel Tower, 1989.
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To deny photographing the rain is tantamount to treason. On average it rains for around a third of the year. Discussions around rainfall dominate conversations and holiday plans. Samuel Johnson once remarked: ‘It is commonly observed, that when two Englishmen meet, their first talk is of the weather they are in haste to tell each other, what each must already know, that it is hot or cold, bright or cloudy, windy or calm.’ The weather is ingrained in our national psyche.
#Tiltshift rain how to
Rather than being deterred by the often wet British climate, we should revel in the photo opportunities provided by damper days – Peter Dench discovers how to get great shots in the rain